Upcoming Classes: The Poetics of Wrongness Discussion and More!

Hi Everyone,

I had some trouble with my store earlier this month, so I’m sending out this newsletter to let you know about some upcoming classes.

I’m offering three workshops on “The Poetics of Wrongness” in the coming months. For the first hour we will discuss one essay in the book and during the second hour we will generate some new writing and share work. See this link to sign up for one or more of these workshops. This workshop is limited to eight students.

I am also offering a Poetry Pop-Up workshop on April 12th. See this link for more information and to sign up. This workshop is limited to ten students.

The Poetics of Wrongness Essay One: Discussion and Generative Workshop April 8th 12-2pm

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In her first book of critical non-fiction, The Poetics of Wrongness, poet Rachel Zucker explores wrongness as a foundational orientation of opposition and provocation. Devastating in their revelations, yet hopeful in their commitment to perseverance, these lecture-essays of protest and reckoning resist the notion of being wrong as a stopping point on the road to being right, and insist on wrongness as an analytical lens and way of reading, writing, and living that might create openness, connection, humility, and engagement. Expanded from lectures presented for the Bagley Wright Lecture Series in 2016, Zucker’s deft dismantling of outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics feel prescient in their urgent destabilization of post-war thinking. In her four essay-lectures (and an appendix of selected, earlier prose), Zucker calls Sharon Olds, Bernadette Mayer, Emily Dickinson, Adrienne Rich, Alice Notley, Natalie Diaz, Allen Ginsberg, Marina Abramović, and Audre Lorde—among others—into the conversation. This book marks a turning point in Zucker’s significant body of work, documenting her embrace of the multivocality of interview in her podcasting, and resisting the univocality of the lecture as a form of wrongness in and of itself.