“Let’s Deconstruct a Story” is a podcast for the story nerds–those who know that examining the components of a good story is the key to writing one. In each episode, I interview a writer about one of their own stories, delving deeply into their choice of POV, plot, setting, and tone. The stories are available for listeners to read (below) before they listen to our discussion.
This week, I’m talking to Alix Ohlin about her story “Quarantine” which was first published in The New Yorker, in 2017, and then later in her 2021 short story collection, We Want What We Want.
First please read the story “Quarantine” in The New Yorker here.
This story should be free and accessible (you may have to enter your email address) but if you have any issues, please click here.
If you would like a transcript of our discussion, please feel free to contact me as well.
Here’s the podcast on Spotify and Anchor.
A link to Alix Ohlin’s essay in Lithub on How to Map the Shape of your Short Story, which we mention in our discussion.
A link to a portion of the Charles Baxter essay about the request moment.
Ohlin also mentioned this book by Joan Silber, The Art of Time.
Bio: Alix Ohlin is the author of six books, including the novel, Dual Citizens, which was short-listed for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in The New Yorker, The Best American Short Stories, and many other places. Her 2021 short story collection, We Want What We Want, was shortlisted for the 2021 Atwood Gibson Writers’ Trust Fiction Prize. She lives in Vancouver, where she is the director of the UBC School of Creative Writing.
Thanks also to Andrew Mason at Upwork for some help with editing this episode.
I’m pausing “Let’s Deconstruct a Story until January 15th to have time to download and edit some previously recorded videos. Next season look forward to an outstanding line-up including Toni Ann Johnson and Caitlin Horrocks among others.
I’ll send more information sometime in December!
I’m including a donation button on my website these days because I am saving up for podcast equipment. If you’ve enjoyed the podcast but have noticed the audio quality is not always top-notch, it’s because I am dealing with old headphones and a free editing program. I am flying by the seat of my pants!
At the same time, as fellow writers, I’m sure you know how little we make in this business, so it will take me a while to save up for the equipment.
If you feel like donating, I would greatly appreciate it. Every little bit helps! Thanks!